The photogram depicts a tensioned load securing net made of synthetic material on a scale of 1:1.
With the help of the Limnological Institute in Konstanz, Sarah Bildstein analysed water samples from all over the world.
For over 20 years now, ‘gentle viticulture’ has been practised south of Gamlitz – no fertilisation, low maintenance measures, minimal plant protection.
The ‘Urban Camping’ of the identity-building Rostfest festival and the Alpin Resort are proof of the strategy’s success, as is the Nordic Education Center (NAZ) and the ‘Forschungszentrum am Berg’ research site.
Two solar cells, car batteries, a heat pump, hose and cable are combined by visual artist, architect, draughtsman and inventor Markus Jeschaunig to build a utopian machine that uses melting energy to turn water back into ice.
Food waste produced in a kitchen is chopped up and converted into biogas in a fermenter – the glass ‘stomach’ of the Kitchen-Cow.
These two research projects are laying the groundwork for the use of wood in structural components in vehicle construction.
This slender cross-profile column made of beech veneer is a striking example of the effectiveness of wood as a construction material.
As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.