The photogram depicts a tensioned load securing net made of synthetic material on a scale of 1:1.
G.R.A.M.’s film borrows from Charlie Chaplin’s Kid Auto Races at Venice from 1914.
In Cradle to Cradle®, all waste becomes food in an approach that follows nature’s principle. Designed by chemist Michael Braungart and architect William McDonough, this is an eco-effective system in which resources remain in a complete cycle.
As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.
Once again, Manfred Erjautz manages to undermine presumed certainties about the means of the sculptural process.
Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.
Since 1988, the collective’s transdisciplinary approach has focused on questions of spatial, social and ecological transformation.
At Graz University of Technology they have developed a way to use the flavouring substance vanillin, which we all know from baking, for sustainable energy storage.
The Burschenschaft Hysteria is an association and a feminist project that satirically adopts and adapts the rituals and modes of speaking found in traditional male student fraternities.