For a roof of approximately 100 m² over a studio space in Schloss Seehof in Lunz am See, 130 different 3D-printed concrete recess formers were digitally planned, produced automatically and installed by hand.

With the controversial title of Only Poverty Has a Future, Huth’s contribution is a plea for the frugal use of resources.

Iris Andraschek’s research into the current topic of care work once again focuses on making social participation visible.

It is no secret that our affluent society is also a throw-away society: plastic waste is accumulating in the oceans, electronic waste ends up as an environmental problem in the global south.

In Weltverschiebung, the desire for public space is juxtaposed with the growing economisation of what once seemed like endless outer space.

Anita Fuchs has rented a meadow on the border between Austria and Slovenia. For months now, she has been working there out of her FIELD STATION – a shiny cube that looks like a minimalist sculpture.

As a social practice, architecture essentially points to a totality of spatial, technological, social and economic developments.