Eisenberger combines classical subjects of art history, ‘vanitas’ motifs that remind us of the ephemerality of existence, with elements from popular culture.

As a resistance to stereotypes and racism, Maryam Mohammadi produced a series of self-portraits showing herself on a contradictory path to blonde and blue-eyed conformity.

In order to raise awareness of this state of affairs, the artist Adina Camhy designed posters that call for more appreciation of care work. NO MORE BITTER PILLS continues her project. The posters were shown in the exhibition HILFSLINIEN - Linije pomoči in the Pavelhaus – Pavlova hiša, but were also distributed in public space.

These five portraits are part of a 20-part series about life in Eisenerz, a mining town marked by change. Severin Hirsch’s sensitive portraits offer an insightful view of the residents of the Münichtal, a former residential estate for workers.

Founded by the artists Veronika Dreier, Dorothea Konrad, Silvia Ulrich, Eva Ursprung and Anne Wrulich in Graz, Eva & Co. was the first feminist art and culture magazine in Europe.

As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.

Hannes Priesch has created new insignia for the Kunsthaus, bearing a message of polyphony. Extremely carefully crafted, the wind machine banners appear almost as the guardian figures of a distant future. Diverse and ambiguous, they point the way forward – towards a plurality of futures.

A new farm shop with a café at the central market place, a farm offering demonstrations and a fun experience, a research centre and an innovation centre for organic agriculture form the five cornerstones of the new centre together with the school.