Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.
It is a well-known problem that farmers usually do not get a fair price for their products and often do not have the time, money or talent to market them directly.
Elke Auer combines sculptural and performative elements with language, drawing and painting. Her work addresses the constructed nature of gender identities and seeks to break down hierarchising, normative attributions.
The design of these signs is based on the system of isotypes (Interna-tional System of Typographic Picture Education). This was developed in 1925 by Otto Neurath who, as a Jew, fled from Vienna in 1934.
First installed in 2010 for the exhibition Mehrwert (added value) in front of the church in Quartier Leech, the fictitious construction sign marked the public garden with fruit trees next to the church as the building site of a spectacular architecture.
All that remains of Christian Eisenberger’s artistic interventions in nature are photographs.
Flea markets, table-tennis rounds, dancing among the plants, knitting, gardening without a garden of your own ... the long, colourful list of socio-cultural activities in the ANNENViERTEL district since 2014 could go on and on.
Anita Fuchs has rented a meadow on the border between Austria and Slovenia. For months now, she has been working there out of her FIELD STATION – a shiny cube that looks like a minimalist sculpture.
Iris Andraschek’s research into the current topic of care work once again focuses on making social participation visible.