Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.
Offener Betrieb (Open Modes) – and before that Probebetrieb (Trial Mode) – took the idea of a collective, dehierarchised, collaborative and open educational situation as their starting point.
Anita Fuchs has rented a meadow on the border between Austria and Slovenia. For months now, she has been working there out of her FIELD STATION – a shiny cube that looks like a minimalist sculpture.
Schule im Aufbruch is an international initiative in German-speaking countries that advocates holistic and transformative education. It was founded to promote ‘education as the development of potential’.
The photogram depicts a tensioned load securing net made of synthetic material on a scale of 1:1.
As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.
Gaisbacher spent several weeks in Stanz reflecting from an artistic perspective on a successful participation project initiated in 2016 as part of a local revitalisation.
All that remains of Christian Eisenberger’s artistic interventions in nature are photographs.
This portrait series by Maryam Mohammadi and Joachim Hainzl was produced in collaboration with the women depicted.