Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.
All that remains of Christian Eisenberger’s artistic interventions in nature are photographs.
For over 20 years now, ‘gentle viticulture’ has been practised south of Gamlitz – no fertilisation, low maintenance measures, minimal plant protection.
Club Hybrid is an open demonstration building that will be a place for experimenting, exhibiting and discourse for a fortnight in the summer of 2021.
The design of these signs is based on the system of isotypes (Interna-tional System of Typographic Picture Education). This was developed in 1925 by Otto Neurath who, as a Jew, fled from Vienna in 1934.
A new farm shop with a café at the central market place, a farm offering demonstrations and a fun experience, a research centre and an innovation centre for organic agriculture form the five cornerstones of the new centre together with the school.
Beyond purely technological research, move2zero is developing a holistic concept for the complete decarbonisation of the urban bus system in Graz.
First installed in 2010 for the exhibition Mehrwert (added value) in front of the church in Quartier Leech, the fictitious construction sign marked the public garden with fruit trees next to the church as the building site of a spectacular architecture.
As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.