Hannes Priesch has created new insignia for the Kunsthaus, bearing a message of polyphony. Extremely carefully crafted, the wind machine banners appear almost as the guardian figures of a distant future. Diverse and ambiguous, they point the way forward – towards a plurality of futures.

‘We are not blocking traffic – we ARE traffic!’ is the motto of the Critical Mass participants who ride through the streets of Graz on the last Friday of every month, colourful and loud, with joy and self-confidence, celebrating the most beautiful form of transport in the world.

The design of these signs is based on the system of isotypes (Interna-tional System of Typographic Picture Education). This was developed in 1925 by Otto Neurath who, as a Jew, fled from Vienna in 1934.

These five portraits are part of a 20-part series about life in Eisenerz, a mining town marked by change. Severin Hirsch’s sensitive portraits offer an insightful view of the residents of the Münichtal, a former residential estate for workers.

Austria has a wilderness area that is unique in Central
Europe – the Dürrenstein-Lassingtal wilderness area, home to the
Rothwald primeval forest.

As a resistance to stereotypes and racism, Maryam Mohammadi produced a series of self-portraits showing herself on a contradictory path to blonde and blue-eyed conformity.

Eisenberger combines classical subjects of art history, ‘vanitas’ motifs that remind us of the ephemerality of existence, with elements from popular culture.

SoLaKo is a collective of four farms, an apiary and an association of ‘harvest sharers’ who want to further develop the idea of solidarity.