G.R.A.M.’s film borrows from Charlie Chaplin’s Kid Auto Races at Venice from 1914.

As a medium between two-dimensionality and three-dimensionality, the photogram has been part of Kupelwieser’s diverse œuvre from the 1980s until today.

The murauerInnen (Murau women) have set themselves the aim of updating role models and the assumptions made about the countryside.

Over the course of days and weeks, disciplined series of numbers have been compiled to record the daily consumption of cigarettes.

The posters and videos on this wall show various forms of social activism and protest in the field of environmental and social policy, civil, human and animal rights.

An old condom vending machine has been refilled by the Graz-based collective RISOGRAD. Three different packages contain a chronology of feminist activities in Austria, a manifesto collection and an activism packet, practising feminist social criticism.

Mit dem Skizzenstift bauen sich von Menschen gestaltete Szenen im Wald auf. Kurz aufblitzende Fotos überblenden, um gleich darauf zu zerbrechen.

First installed in 2010 for the exhibition Mehrwert (added value) in front of the church in Quartier Leech, the fictitious construction sign marked the public garden with fruit trees next to the church as the building site of a spectacular architecture.