Auer investigates the toilet signs at the Kunsthaus, challenging tradi-tional gender images and divisions with her artistic, interventionist commentaries.
The design of these signs is based on the system of isotypes (Interna-tional System of Typographic Picture Education). This was developed in 1925 by Otto Neurath who, as a Jew, fled from Vienna in 1934.
Flea markets, table-tennis rounds, dancing among the plants, knitting, gardening without a garden of your own ... the long, colourful list of socio-cultural activities in the ANNENViERTEL district since 2014 could go on and on.
‘We are not blocking traffic – we ARE traffic!’ is the motto of the Critical Mass participants who ride through the streets of Graz on the last Friday of every month, colourful and loud, with joy and self-confidence, celebrating the most beautiful form of transport in the world.
In his temporary material library, the artist Andreas Fogarasi gathers materials used in current building projects.
Mit dem Skizzenstift bauen sich von Menschen gestaltete Szenen im Wald auf. Kurz aufblitzende Fotos überblenden, um gleich darauf zu zerbrechen.
All that remains of Christian Eisenberger’s artistic interventions in nature are photographs.
Anita Fuchs has rented a meadow on the border between Austria and Slovenia. For months now, she has been working there out of her FIELD STATION – a shiny cube that looks like a minimalist sculpture.
The Burschenschaft Hysteria is an association and a feminist project that satirically adopts and adapts the rituals and modes of speaking found in traditional male student fraternities.